Monthly Archives: November 2016

Yes, Theatre Is Supposed To Be A Safe Space

. . . just not in the way Donald Trump thinks. Theatre needs to be safe from encroachment on our freedom of speech.

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Brandon Victor Dixon addresses Pence from the stage of Hamilton. Source.

Vice President Elect Mike Pence attended a production of Hamilton on Friday and was booed by the audience. At the end of  the show, the actor playing Aaron Burr, Brandon Victor Dixon, gave a very polite speech from the stage urging the audience to stop booing and telling Pence that they were grateful for his presence and that the diverse cast and crew were understandably anxious about whether they would be protected under a Trump/Pence administration, urging Pence to support “all Americans.”

For being asked to support all Americans in accordance with the campaign’s own promises, Trump has referred to this exercise of free speech as “harassment” and demanded an apology from the cast in several of his trademark childishly-worded tweets, some of which have been deleted by the time of this writing. (Pence, on the other hand, responded yesterday with something that basically might have been, “Of course I wasn’t offended. I’m an adult. So I’m going to do the adult thing and lie. The concerns of the Hamilton cast were heard, and we in the Trump administration will protect all Americans, not just straight white men.”)

Anyone could have predicted what it would be like for Pence to show up at Hamilton, a show that openly celebrates diversity (and is sold out until the end of time, which also means Pence, who sits at the head of a dangerously bigoted administration, used his celebrity to score some rare VIP house seats to watch a show created by the very people he and his administration openly seek to harm).

Trump’s response is alarming because theatre should be a safe space– safe from Mike Pence, Donald Trump, and their administration’s potential assault on American free speech.

As the President-Elect, Trump should not be demanding apologies from Americans speaking to their incoming government about their concerns. It’s a terrifying act when taken as a whole with Trump’s other actions.

Trump has vowed to “open up” libel laws as president in order to make it easier for him to sue news organizations and journalists for criticizing him. The fact that he has no idea what he’s talking about and can’t act on this vow means nothing, because there are plenty of ways his administration can use its power to curtail free speech. Trump already routinely sues people who criticize him, to the degree that First Amendment expert Susan Seager, writing in the newsletter of the American Bar Association, labeled him a “libel bully,” a charge proven by the fact that the ABA initially balked at publishing it for fear that Trump would sue them while President-Elect.

When Trump was a private citizen, his propensity to sue over every little thing was silly and laughable, but as President of the United States, it becomes a danger to our democracy. It’s one thing to be sued for criticizing a reality TV buffoon; it’s entirely another to be sued for criticizing our President.

Trump routinely threatens anyone who criticizes him, and this is a remarkable, particular danger for cherished American freedoms.

Trump blamed terrorist bombings on “freedom of the press.”

He threatened to sue Ted Cruz for running negative ads against him during the primaries.

He threatened to sue The Daily Beast for reporting on Ivana Trump’s deposition in their divorce case.

He threatened to sue the National Hispanic Media Coalition for calling his statement that Mexican immigrants are “rapists” “racist.”

He personally phoned writer David Cay Johnston, author of The Making of Donald Trump, and told him he would sue if he didn’t “like” what Johnston wrote.

He threatened to sue the New York Times for reporting about his taxes.

He threatened to sue Tony Schwartz, the ghostwriter who wrote Trump’s 1987 memoir The Art of the Deal, for discussing his personal opinion of the candidate.

He threatened to sue the Washington Post for running a story detailing the failure and bankruptcy of his Atlantic City casino.

He threatened Amazon with antitrust and tax investigations over his coverage in the Washington Post because Jeff Bezos founded Amazon and now owns the Post. Amazon stock dropped 6% when Trump was elected, as investors wonder whether the President-Elect will sink a business over news stories he deems unflattering, in direct violation of our constitutional protections. 

The above list is so short and incomplete it barely deserves to be called a “partial list.” Trump has repeatedly, relentlessly attacked “the media” in general and many journalists in particular for daring to write criticisms of him– even mild criticisms, even just, as was the case with Megyn Kelly, reading out his own words. His vicious attacks on journalists at his campaign rallies caused many of his supporters to menace, threaten, and verbally abuse journalists there to cover the event. It became so acute the Committee to Protect Journalists issued a statement calling Trump a “threat to press freedom.” MSNBC reporter Katy Tur, a favorite target for Trump, had to be given Secret Service protection at one of his rallies, as his vitriol from the stage against her personally for her journalism– he literally pointed at her from the stage, called her a “liar,” and demanded an apology– resulted in the crowd of thousands turning on her “like a large animal, angry and unchained.”

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A Trump fan calls for the lynching of journalists at a rally in Minnesota. Source.

When Trump famously mocked a disabled reporter (Serge Kovaleski) from the stage, it was over his journalism— specifically, his factual statement that during his coverage of 9/11, he did not recall anything that supported Trump’s outrageously false claims that “thousands” of Muslims were “celebrating in the streets.” Trump supporters have deluged Jewish journalists with antisemitic death threats.

During the campaign, Trump denied access to media outlets he deemed “unfair” because they did not violate journalistic ethics to portray him solely in a favorable light, only lifting the ban two months before the election. He has already begun denying access during this transition period.

Trump’s multiple threats to both freedom of speech and freedom of the press are gravely concerning. This is a direct attack on American free speech when it comes from the incoming government. Squelching free speech is always the first step in establishing a dictatorship, and his lawsuit antics are already having a chilling effect on coverage.

Trump’s demand for an apology from the Hamilton cast is a small thing, but it’s just one tiny sliver of his ongoing attacks against our First Amendment protections.

 

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We Didn’t “Fail.” Democracy Failed Us.

 

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Source: Damon Winter/The New York Times

In a shocking upset over predicted winner Hillary Clinton, an open racist, sexist, antisemitic, Islamophobic, xenophobic, journalist-hating confessed sexual predator about to go on trial for racketeering has been elected president of these United States. There have been approximately infinity think pieces and news stories and nuggets of punditry discussing “what the Democrats did wrong” to lose this election. But here’s the thing: HILLARY CLINTON WON THE ELECTION. Democrats did nothing wrong. Clinton got more votes than anyone else running, which, in any other contest on the globe would mean she won. She lost the presidency on a bizarre and outdated technicality.

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Journalists, pundits, and my fellow bloggers, the story isn’t “What did the Democrats fail to do?” it’s “Why do we continue to allow this antiquated ritual to deny the American people its democratically-elected choice for President?”

A majority of Americans wanted Clinton as their president, and due to a bizarre, outdated ritual, democracy failed them.

THAT’S THE STORY: DEMOCRACY FAILED.

What are we going to do about the fact that an antiquated ritual has (once again) robbed the American people of its democratically elected choice?

For all of you geniuses who thought Hillary was corrupt, you better hope you were right so she can move those levers of power, contact her rich Jewish banker friends, murder some people, or whatever your favorite Clinton fairy tale is, and get the electoral college eliminated before January 20. Since it would require a constitutional amendment (or at the very least the adoption of the National Popular Vote Interstate Compact in nearly all 50 states), she had better get cracking.

Obviously, it can’t happen before we all have to watch the candidate endorsed by the KKK sworn in to the highest office in the land. But we should get our act together and push for the elimination of the electoral college before it can do any more damage– and this isn’t even all the damage it can do. It won’t happen before Trump and Pence start dismantling everything that makes America great (or even livable), but it can certainly happen before 2020.

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Sex, Lies, and Hillary Clinton

In the mid-60s, Jan Kott wrote a truly horrible book called Shakespeare, Our Contemporary, in which he analyzes Shakespeare’s plays according to his specific point of view as a white European male who hasn’t quite grasped the humanity of the women and people of color around him, although, at the time, we just called that “Shakespeare criticism.”

When discussing the character Desdemona, a character whose complete faithfulness to her husband is the primary narrative linchpin of the play, Kott says, “Desdemona is faithful, but must have something of a slut in her.” He says that she must be a slut “in potentia” if not “in actua” because so many men desire her– because she inspired erotic imaginings in the men around her. SO SHE IS THE SLUT.

And while this kind of “my white male imagination tells me so” Shakespeare “analysis” we’re used to getting from the likes of mid-century scholars like Kott (and Harold Bloom, and so many others whose “analysis” of Shakespeare’s female characters is 100% flights of fancy) it stood out to me, even as a teenager when I first encountered this nonsensical “analysis.” It stood out to me that THIS IS AN ADMIRED BOOK OF SHAKESPEARE CRITICISM. This was the first moment I realized that the world of academia was going to be an uphill battle for me as a woman.

This moment– seeing a respected book of lit crit describe male desire for a woman who never sought nor wished for that desire as HER OWN FAULT for somehow being a “slut” “in potentia”– has come to mind again and again this election cycle.

Millions of our tax dollars have been poured out in a desperate attempt to pin something, ANYTHING, on Hillary Clinton. Nothing illegal has ever been found. Every investigation has exonerated her, and the Clinton Foundation is one of the highest-rated on every nonpartisan site that monitors charities. Obviously false scandals have been created by alt-right (and regular right) propagandists, and they’re shared around the internet as if they make sense. Scandal after scandal have been manufactured and debunked. Hillary haters are the hydra of American politics– chop off one false scandal and two grow back. There’s a never-ending supply of false scandals, and the factual evidence debunking them is dismissed as “irrelevant” or “bought and paid for.” As if the Clintons have an unlimited supply of money– oh, wait, according to the Hillary haters, THEY DO, thanks to Jewish bankers and the Evil Jewish Scrotillionaire Necromancer Lich Demon George Soros.

Hillary haters are forced, in the face of all the evidence exonerating her, to claim that the lack of evidence is the evidence. What is she hiding? It must be something! LOOK AT ALL THESE SCANDALS. Anyone who points to the facts is “bought and paid for” with all Clinton’s Jewish banker money, something I’ve been accused of myself multiple times. (I only wish someone was paying me to blog.)

And so we come back to Desdemona. SHE MUST BE SOME KIND OF SLUT. LOOK AT ALL THESE MEN LUSTING AFTER HER, reasons Jan Kott. EVEN IF SHE’S FAITHFUL TO HER HUSBAND, he continues, SHE’S STILL A SLUT, OTHERWISE WHY WOULD OTHELLO BELIEVE IAGO? Why indeed.

Kott blames Desdemona for the scandalous thoughts men have about her, and we blame Clinton for the scandalous thoughts we have about her.

“She’s too heaped in scandal,” “Where there’s smoke, there’s fire,” “There must be SOMETHING there,” “She’s clearly corrupt,” “One of the most corrupt politicians ever.” We dressed her in this outfit against her will, then condemned her for it.

Kott goes on:

Othello does not have to kill Desdemona. The play would be more cruel, if, in that final and decisive moment, he just left her. . . . Othello kills Desdemona in order to save the moral order, to restore love and faith. He kills Desdemona to be able to forgive her; so that the accounts be settled and the world returned to its equilibrium. Othello does not mumble any more. He desperately wants to save the meaning of life, of his life, perhaps even the meaning of the world. (123)

Kott– a respected Shakespearean critic– writes that killing a woman falsely heaped with scandal is the only way to “restore love and faith” and “the meaning of the world.” That men must use women as scapegoats for their own dark desires and imaginings and then kill them to restore order. Only dead can women be forgiven for “making” men have dark desires. This, again and again, returns to my mind as I see so many respected people– elected officials– calling for the murder of this woman who has borne the brunt of their imagined scandals, the congealed crust of hate and fear of powerful, independent, outspoken women.

And now I type the requisite sentences, the ones demanded of everyone who writes about Hillary Clinton and no other politician, ever: Do I agree with her every decision? No.

But we cannot productively discuss what kind of president she will be (and she will be president) in reality while we continue to make her the scapegoated center of 1000 false scandals. We cannot have productive discussions about foreign policy or ed policy– two areas we really need to be discussing right now– while the country is embroiled in a non-scandal about emails, or an alt-right created one about sex (take your pick).

Jan Kott is still taught. And respected newspapers are still running stories about Hillary’s emails, and the entire GOP is participating in a false story about voter fraud and a “rigged” election. The question is: Are we going to continue the Kott-like misogynistic scapegoating  of this woman, or are we going to get to work on the actual issues?

 

 

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