Monthly Archives: November 2018

I Can’t Go On. I’ll Go On.

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Photo: Associated Press

Desperate refugees are being teargassed at the border for having the audacity to take the Statue of Liberty at her word. The economy is slipping badly due to Trump’s mismanagement. The (putative) President of the United States praises the people who financed 9/11 while disparaging the Navy Seals who killed Bin Laden, praises convicted criminals while attacking law enforcement and judges, praises dictators and white supremacists while insulting US allies, disrespects the rule of law, American tradition, American values, and the Constitution, and lies, and lies, and lies again.

Meanwhile liberal lion Nancy Pelosi’s speakership is being held hostage by conservative Democrats who are insisting she hand power to House Republicans in exchange. Climate change is poised to ruin our economy on its way to ending our ability to live on this planet and somehow– insanely– this has become a partisan issue. A new study rolled out that confirmed the findings of multiple studies over the past 18 months: people support Trump due to “white anxiety”– we used to call this “racism”– a fear of people of color “dominating” the US and “displacing” white people.

And that’s just the past few weeks.

That’s a tenth of what has happened in the past few weeks.

The US is being held hostage by a minority political faction hostile to the rest of us. A Republican recently told me, “Republicans aren’t interested in democracy. We’re interested in freedom.” Freedom to oppress, freedom to discriminate, freedom to defraud.

It’s a lot.

In the theatre community, I’m seeing a lot of despair. What good is art while racism and sexism are gleefully celebrated throughout our society? What good is art when 40% of the nation supports open hatred, open ignorance, open rejection of science, knowledge, and basic facts? Why are we fiddling as Rome burns? How can it ever be enough?

Yet we MUST GO ON. Because we are more than enough. We are the most powerful tool in the resistance.

There is no way to overstate the power of art. There’s a reason this whole destructive cycle began with the establishment of Fox News, Rush Limbaugh, and conservative “infotainment” in the 90s. There’s a reason it ends up here, with Trump’s lying showmanship and conservative propaganda given more weight than actual journalism, science, or expertise.

The Cambridge Analytica papers showed that Steve Bannon invented the concept of the “Deep State” as propaganda, and that revelation had exactly zero impact on the people who believe in that lie. Why? Because art is more powerful than any one piece of factual evidence. The person who controls the story controls the truth.

Art matters. Representation matters. Art creates culture. Conservatives know this and are using it to promote the racist, sexist panic that preserves their political power.

When Donald Trump goes on television and insists that Mexicans are “rapists,” he knows that’s not true. When he claims white supremacists are “very fine people,” states that non-white countries are “shitholes,” says that Central American refugees are “terrorists,” “diseased,” “child grabbers,” or “Middle Eastern,” he knows that’s not true. When he insults prominent Black Americans, he invariably uses classic white supremacist language: Maxine Waters is “low IQ”; Don Lemon is “the dumbest man on television”; Andrew Gillum is “a thief”; Civil Rights icon Rep. John Lewis “does nothing” for his “burning and crime-infested” district, and many, many more. Of course he knows none of it is true.

Sure, it’s lying, but more importantly, it’s THEATRE. He’s performing for conservative white Americans who support him primarily due to “white anxiety” and “racial resentment.” He’s putting on a show for them that may as well be entitled You’re Right to Feel Superior to Black People. It runs in rep with You’re Right to Be Afraid of Brown People, Women Exist to Be Decorative and Obedient, and I Don’t Care What the Constitution Says and Neither Should You: Give Me Unrestrained Power to Shut Down The Black and Brown Infestation and Make America Great (and White) Again. It’s running eight shows a week on the Great White Way along with Fox News’ Everyone Who is Not White and Conservative is Bad, InfoWars’ The Sky Is Falling and It’s the Jews’ Fault and Mike Pence and Lindsey Graham’s experimental dance theatre piece, Hate Keeps the Closet Door Shut.

Very few people actually believe Trump’s lies. They’re just fans of the show.

You don’t fight theatre with facts. That’s why facts and logic aren’t working, why Trump’s base will swear they believe his lies over their own eyes and ears.

You fight theatre with better theatre. You fight narrative with better narrative. And we are much, much better at this than they are.

It’s hard, I know. It feels at times like all is lost, like every scrap of progress we’ve made against evil since Civil Rights is being encinerated, like every step forward we’ve made for women, people of color, LGBTQ people, people with disabilities, Muslims, Jews, everyone is being dragged back to the 19th century. But they’re not winning every battle. And THEY WILL NOT WIN THE WAR.

We outnumber them. And we are better at this than they are.

You, the theatremakers, filmmakers, TV writers and producers, all of you making art: YOU ARE THE VANGUARD. Fill your stages and screens with stories that fight this evil. Celebrate difference. Hire and promote women, people of color, LGBTQ people, people with disabilities. Fund that show written and directed by Black women and promote the hell out of it. Cast a trans lead. Put three nonbinary people with disabilities on your story team.

Be deliberate. Go on. Your art is your activism, and there is nothing more powerful on this earth.

Keep pushing. They will not prevail. This moment in history is temporary. They will NOT be the ones who tell the American Story. We will. We are.

Go on.

 

 

 

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